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Group
of Seven
Peter Doig
Clair Joy
Janice Kerbal
Mark Lewis
Susan Morris
Alex Morrison
Annie Poulin
20.09.03-26.10.03
Private View: 19 September 2003, 7.00-9.00 pm
Group of Seven 1. a Canadian art movement, officially
formed in 1920 by seven artists, that found inspiration in the landscapes
of northern Ontario to represent the unique character of Canada. A gallery
dedicated to the Group was opened in Kleinberg, Ontario, in 1966. 2. the
seven leading industrial nations outside the communist bloc, i.e. the
US, Japan, Germany, France, the UK, Italy, and Canada.
(The Oxford Encyclopedic English Dictionary, Clarendon Press, Oxford,
1991)
The Group of Seven was presented to me in art history lectures as the
entirety of the history of Canadian art. Growing up with the (mostly British
born) Group of Seven's romantic vision of the Canadian ‘wilderness’
as the pinnacle of Canadian art history I, like most Canadian (art) students
developed a healthy scepticism around the contested issue of Canadian
identity in which landscape plays no small role.
This show takes as it’s starting point work by contemporary artists
that deal with landscape, predominantly, but not exclusively the Canadian landscape.
The title is both a tribute to the Group of Seven and a way of underlining
the fact that Canadian Art (and art made about the Canadian landscape)
now aims towards a more complex and political relationship to the landscape
than it did at the turn of the last century.
Because of the feelings of unease I share with other Canadians in front
of representations of our landscape, or more specifically, with the role
these images are given in the construction of the mythology of our nation's
identity. I have thought perhaps the subtitle to the show should be 'Exorcising
Ghosts'. However, I do not want to be exorcised of the undoubted beauty
of the work of the painters but perhaps only of the hegemony they came
to represent... so the title remains just ‘Group of Seven’.
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